Matisse paintings began as still-lives and landscapes in the traditional Flemish style with reasonable proficiency. Henri-Emile-Benoit Matisse was a French artist, draughtsman, printmaker and sculptor, primarily known as a painter.
Most of the early Matisse paintings employed a dark palette, thus, had the tendency to be gloomy. Henri's first contemporary art experimentations earned a rebellious reputation.
Among the Matisse paintings, it was The Dinner Table that was first considered to be a masterpiece. Completed in 1897, it was considered radical due to its impressionist aspects. Impressionism was introduced in Matisse paintings between 1897 and 1898 and caused a dramatic change in Henri's painting style.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
The early Marc Chagall paintings showed fabulous and metaphoric images on everyday life as exemplified in Birth, The Deal and A Holy Family. Marc Zakharovich Chagall was a Russian-French artist referred to as the quintessential Jewish artist of the 20th century.
Marc Chagall paintings demonstrated a perfect feeling of colors and mastery of the Fauvism methods. They exemplified mastery of new trends and tendencies, including Cubism, Futurism and Orphism, reshaped in the Marc way, as depicted in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Among the Marc Chagall paintings completed during this period were Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar.
Human grief and war hardships are the reflections in War. As a result of the intensification of the Jewish persecution, Marc Chagall paintings became strongly religious as can be gleamed from his works, Red Jew and Feast of the Tabernacles. Lyrical works filled with love towards a woman named Bella are the last 4 aforementioned Marc Chagall paintings.
Most of the early Matisse paintings employed a dark palette, thus, had the tendency to be gloomy. Henri's first contemporary art experimentations earned a rebellious reputation.
Among the Matisse paintings, it was The Dinner Table that was first considered to be a masterpiece. Completed in 1897, it was considered radical due to its impressionist aspects. Impressionism was introduced in Matisse paintings between 1897 and 1898 and caused a dramatic change in Henri's painting style.
Without much clear direction, Matisse paintings displayed Henri's rebellious talents by 1899. Whenever he got stuck with his paintings, Henri turned to sculpture for the organization of his thoughts and sensations.
Color was a crucial element in Matisse paintings. This practice was influenced by the post-impressionist works as well as by the Japanese art. It also led to reconstruction of Henri's own philosophy on still life. Henri stretched his paintings to a forced contemplation of the color surfaces. This stretch was patterned after the fragmented planes of Paul Cezanne.
The Matisse paintings from 1899 to 1905 made use of the pointillist technique as adopted from Signac. In 1902-03, the Matisse paintings went back to dark palettes and showed a brief movement back to naturalism.
The early Marc Chagall paintings showed fabulous and metaphoric images on everyday life as exemplified in Birth, The Deal and A Holy Family. Marc Zakharovich Chagall was a Russian-French artist referred to as the quintessential Jewish artist of the 20th century.
Marc Chagall paintings demonstrated a perfect feeling of colors and mastery of the Fauvism methods. They exemplified mastery of new trends and tendencies, including Cubism, Futurism and Orphism, reshaped in the Marc way, as depicted in The Violinist, To My Betrothed, Golgotha and Paris Through the Window.
Filled with love and nostalgia are Marc Chagall paintings such as The Pinch of Snuff, The Cattle Dealer and I and the Village. However, during the First World War, the Marc Chagall paintings became very multifaceted in their everyday life representation despite remaining immersed in nostalgia.
Among the Marc Chagall paintings completed during this period were Window at the Dacha, War, Red Jew, Feast of the Tabernacles, Birthday, Pink Lovers, The Promenade and Bella with White Collar.
Human grief and war hardships are the reflections in War. As a result of the intensification of the Jewish persecution, Marc Chagall paintings became strongly religious as can be gleamed from his works, Red Jew and Feast of the Tabernacles. Lyrical works filled with love towards a woman named Bella are the last 4 aforementioned Marc Chagall paintings.
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